Medium Cool (Haskell Wexler, 1969) Notes Stasia McGehee 9/30/98
Historical and cultural
events that serve as the backdrop
· Vietnam War / Vietnam War protesters.
· The Free Speech Movement at Berkeley / Student Unrest.
· Democratic National Convention in Chicago - Mayor Daly
calls upon the National Guard to quell protests, leading
to the demise of the Democratic party.
· Experimentation of psychedelic drugs, new forms of art
and self-expression.
· Alternate communal lifestyles adopted by "hippies".
· The assassinations of John and Robert Kennedy, and
Martin Luther King.
· Black Panther Movement - a response to Police
Brutality.
Johns transformation from detached newsman to
activist - the ideological transformation assumed by the
protagonist as well as the viewer.
· The first wreck shows him as a passive observer,
callously indifferent.
· He argues with his girlfriend over the role of the
media. She decries the fact that reporters focus on
tragedy, yet fail to intervene.
· A Black man turns in 10K and is roughed up by the
police. Johns attempt to do a follow up story
results in his subsequent education.
· John realizes that protest footage was being handed
over to the FBI, so as to identify possible agitators. At
this point he realizes that as an agent of the media, he
is implicated in the political machinery.
· Johns attempt to arrest a thief leads him to
return Harolds pigeon, his token kind deed, his
partner notes. There he befriends a woman whose husband
had been killed in Vietnam.
· Johns attempt to help Irene locate her son leads
them through a gauntlet of protesters, ravaged by police
brutality. His avoidance of conflict ultimately ends in
injury and death.
The Subplot
· The subplot concerns itself with Johns
growing relationship with Irene and her son, and
parallels his own transformation from indifference to
compassionate and involved. His relationship with her is
much more wholesome and nurturing than that with the
nurse. His involvement with Irene leads to a climactic
chase scene where as the two adults embark on a quest for
the son.
Self Reflexive Elements
· The Black Panther breaks the 4th wall in
addressing the audience. Hence Johns education in a
Black point of view is to be our own.
· Children in both black and white ghettos run before
the camera tauntingly, so as to undermine the authority
of the media, so easily humiliated.
· The nature of the camera is constantly questioned - is
it a neutral medium, like a typewriter; an extension of
the artist; or a type of weapon - a gun?
· As John smokes a cigarette, a poster of the smoking
Belmondo behind him pays homage to the films
indebtedness to the French New Wave.
· In the final scene, we are situated within the wreck.
Passersby pull out a camera to photograph us, forcing us
to identify with the victim.
Socio-Political Themes of the Film
· Race - the same police brutality experienced by
the Vietnam War protesters has incited Black militants to
arm themselves. Just as the protesters acknowledge the
importance of the Media, cajoling them to stay and bear
witness, the disenfranchised Blacks note that their
absence in the mainstream has rendered them invisible.
· Gender - John is patronizing towards women throughout
the film. The Black actress is the first to heartily
object to his condescension, nearly instigating a violent
outbreak.
· Class - the wealth of the idle rich, the politicians
wife, is juxtaposed with the squalor of the poor,
represented by Irene and her ilk.
· Education - The fact that TVs dominate the
classroom represents a crisis in the public educational
system. According to Gov. Reagan the Universitys
sponsorship of youth culture is disgraceful, with its
psychedelic parties and lewd dancing. The Panthers offer
a corrective to their exclusion from the countrys
education with their educational programs and militant
demands to be heard. The role of the Media / the Role of
the Individual in Society
· "The Tube is Life" - It is the media that
validates experience, and without that validation, a
class of people cease to exist. "The whole world is
watching" - Media coverage of the Democratic
National Convention, and its police brutality proved to
be a windfall for Republicans. With the aid of the media,
single individuals can have a role in society - from the
Black good Samaritan to Martin Luther King.
Key Technical Aspects of Medium Cool
· On-location sound - sound is shot on-location,
along with the film. Hence ambient sound can threaten to
drown out the dialogue.
· Documentary footage is interspersed, giving it a more
life-like feel.
· The conventional tri-part structure with its
strong sense of causality is abandoned. Hence the
randomness of events make it seem more true to life, less
fabricated than in a conventional production.
· Hand-held cameras, fast film, and telephoto lenses
make on-location shooting possible. This provides for
more spontaneity than a tightly scripted studio
production.
· Mode of production - This is a low-budget independent
film, so Wexler had more artistic license than that of a
large studio production. Although having exercised his
artistic freedom, his film was slapped with an X rating
for its subversive content.
This page last updated
on December 7th, 1997.
Copyright © 1997 Stasia McGehee.
Notes for History
of Cinema, Susan Tavernetti, F/TV-042.-0IL, DeAnza
College, Cupertino, CA, Fall 1997.